Domaine Gayda

I’m writing this at Domaine Gayda in the Languedoc, South of France near Limoux on a sunny day in March – its a tough life…

The Domaine is quite young having only started as a vineyard in 2001 and the winery only built in 2004.  It is owned by Englishmen Tim Ford and Anthony Record but the wine are made by Loire born Vincent Chansault; and he does an excellent job.  We tasted the full complement they shared a common thread of ripe fruit, roundness, freshness and balance.

The wines divide up into four categories plus the top wine;

  • Flying Solo – entry level but local varieties, i.e. grenache blanc and viognier for white, grenche syrah for red
  • T’Air D’Oc – entry level but international grapes and labelled as such, i.e. syrah and sauvignon
  • Cepage – middle quality level, varietal wines and labelled as such
  • Figure Libre – top quality and wonderful idiosyncratic local blends or grapes.  The name kind of means going “off piste” and doing your own thing regardless of convention – which I think is a pretty cool approach.
  • Chemin de Moscou – the top cuvee, syrah based and rich concentrated, complex and long

I’ve stocked several of these wines for a year or two now and tasting the new vintages today re-confirmed how good they are.  what is more the chance to meet Vincent and hear his passion for the wines and to understand what he is trying to achieve brings the range to life.

Particular highlights for me were the 2011 Cepage Viognier, apricot fruit, nice richness and full body but still fresh and clean on the long minerally finish, really good.  Also the flying solo varietal Cab Franc – surely marks for rarity alone – but this was lovely and savoury with leafy franc nose, complex again with the trademark freshness.  I will certainly look to add some of the flying solo range when time permits.

Some photo’s below – cool wines made by nice people in a beautiful place.

 

 

The following day we had the chance to explore more of the Gayda Vineyards.  These are located in the Minervois La Laviniere AC.  This is something unusual in the Languedoc as it is a higher quality subsection of the Minervois AC.

The vineyards are about a 75 min drive from the winery.  On the way you pass through a large part of Minervois AC.  The terroir is flat and alluvial.  There are plenty of vines, but the quality is regarded as poor since the solid is basically too fertile for vines and consequently yields are high.

As we approached La Laviniere the ground began to rise.  The terroir of La Laviniere is completely different to Minervois as the photos below will show.  the solid is incredible rocky, the terrain is hilly and it is pretty dry.  Where there is no cultivation the vegetation is classic “garrigue” with wonderfully fragrant sage, lavender, thyme and rosemary all growing wild.

It is interesting to note that in the Gayda vineyards you find lots of pieces of Roman amphorae roof tiles and other pottery fragments.  Dotted around the landscape are many stone field shelters that date back to Roman times.  Farmers would have used these to shelter from the sun or to hide from marauding tribes!  It seems likely that in Roman times these areas were farmed and vines were grown.  By contrast no vines were grown on the plains.  The Romans clearly knew what they were looking for in terms of terroir.

The vineyards here are low yielding and of top quality and the grapes produced are used for only the top Gayda wines, i.e. for Chemin de Moscou and for the Figure Libre Series.

 

 

 

 

 

 

 

 

 

 

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Shop local

Where do you buy your wine?  Chances are that for most people the answer is a supermarket.  Well, I think that’s a mistake.  Before I start I feel I should admit a little self interest.  I’m not an unbiased observer.  After all I run a wine shop.  But that’s really not the point.

Cornwall is a small place.  We have few big employers, jobs are hard to come by.  Many of the people I know in Cornwall work for themselves in one way or another.  The biggest reason I can give you is to support these people and your community.  We are lucky in Cornwall that many towns do still have local butchers, bakers, candlestick makers and even wine shops run by local people.

You should be familiar with the argument by now.  You spend money in these shops, they make money, their owners have money to spend in other businesses.  All of this supports the local community.  Look at the alternative; you spend money in a big supermarket, the profits disappear off to faceless shareholders and the locals get jobs stacking shelves in return.

Just visit Helston if you want to see how it works.  Two huge supermarkets and a high street full of charity shops and places up for lease.  Thank heaven for the two Olivers, furniture and butcher, both holding out for local business and a bit of quality among the gloom.

Those are the localist and economic arguments, all quite valid.  But what about the wine?  Well, I’m biased again I know, but I think small shops do it better.  They get to know you and your tastes.  Often you will deal with the owner or the person who buys the wine.  Once they know what you like they will be able to recommend wines to suit.  Did you ever try asking for advice in the supermarket?  Will this go with my chicken casserole?  People would think you were crazy.

Another big difference is scale.  Supermarket wines literally sell by the truckload.  So their producers make a lot of wine.  Much may be good, reliable stuff, but to me the perfect bottle is something from a small, passionate, artisan producer, something more grown than made.  Maybe not always technically perfect, but vibrant, interesting and with a story to tell.  These are the wines you find in small specialist retailers, if only because they are available in quantities too small for the big boys to bother with.

Now I know there is a big argument about convenience, you can just pop a couple of bottles in the trolley along with all the rest.  But, how much wine do you drink a month?  Six bottles?  Twelve?  Come on.  Maybe 18?  You could roll this up into a monthly trip to the wine shop, buy a couple of cases at a time.  While you are there you can talk to the staff, taste a bottle or two, they might even deliver.  They might even give you a bit of discount on that quantity.  It might be fun.

Perhaps you like a bargain?  Thirty, forty, fifty percent off?  It sounds tempting don’t you think?  Well, call me cynical, but I just don’t believe those figures.  Let me give you an example.  I saw a bottle of Prosecco advertised in one supermarket before Christmas at half price, bringing it down to £9 a bottle.  Well £9 is a pretty sharp price for a bottle of sparkling wine, but was it ever £18?  It would be a decent Prosecco if it was.

Are you convinced?  I hope so.  If you are, I’ve listed some shops you could try.  But it’s not just wine; don’t forget the butcher, the baker, all your local shops really.

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Lebanese Wine

I was lucky enough last week to attend a tasting of Lebanese Wines.  The tasting was in Bristol and seven wine estates were represented; Chateau Ksara, Chateau Ka, Chateau Kefraya, Chateau St Thomas, Domaine des Tourelles, IXSIR and the Karam Winery.

I had not realised what a small country Lebanon is, 200 miles north to south and only 50 east to west, the country is also mountainous with many of the vineyards at 1,000 or even 1,400 m altitude.  I must say also that from the photos it looked beautiful, with pine groves and snow topped mountains in the distance.

The wine that put Lebanon on the map is the famous and idiosyncratic Chateau Musar.  The producers at the tasting acknowledged their debt to Musar but understandably felt there is now more of a story to tell.  In fact there are now 36 wineries in the country.  Personally I found it refreshing that there are so few, it seems more digestible somehow, perhaps eventually you could get to know them all!

The wine then.  Well, as you might have expected there was plenty of red.  Each winery had a few reds on offer but surprisingly also one or two whites.  All but one of the wines I tasted were blends, perhaps reflecting the fact that the country was at one time colonised by France.

The white wines were generally from Muscat, Viognier, Sauvignon Blanc and Semillon and as you can imagine from those grapes tended to have very aromatic floral noses.  What was much less expected is that they generally shared a bright refreshing acidity and a light body.  Even the Viognier based wines managed to avoid being overly full bodied or oily.  I must mention a superb oaked Chardonnay from Chateau Ksara, this had classic oak richness and creaminess alongside a real freshness and was superbly balanced and long.  I tried the 2010 and would recommend you buy it if you can find it.

The red wines too had a surprising consistency.  Again most were blends, generally of Bordeaux varieties, Cabernet Sauvignon, Merlot, Cabernet Franc, Petit Verdot but also some Syrah and lots of Carignan which seems to be a signature grape for the Country.

There was that firm acidity again, plenty of tannin in many and also a noticeable and pleasing lack of body.  The wines come across as very dry with very low residual sugar and not much glycerol.  The fruit is also quite restrained and the flavours less primary than many wines you find in the UK.  This of course means they would be perfect with food and perhaps wines for those who like wine to be wine – rather than alcoholic fruit juice.  There was also in some a strong minerality and almost an earthy quality.  I could pick some out some specific wines but if you see anything from the producers listed above, give it a try.

Towards the end of the tasting and thinking of a possible family holiday to the country (I had been spitting out I promise) I asked one of the exhibitors whether there was an area with good beaches.  She replied that the best place to head for was just north of Beirut.  That name is so famous, and so famous for all the wrong reasons.  Family holiday in Beirut?  Are you crazy?  But having met the people and drunk the wine – I’d go.  Perhaps it’s time for us all to think of Lebanon for positive reasons – like the fantastic wine the Country produces.

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Reyneke Wines and Biodynamics

I am writing this on the train home from London where I spent the last three days at trade wine tastings.  There were plenty of wines to taste, many good but the absolute highlight of the trip was an hour spend listening to Johan Reyneke of Reyneke Wines.

A native South African Johan describes himself as a wine farmer, but he started out as a philosophy graduate and he spoke with a conviction and eloquence that I found captivating.  Johan has been making wine as Reyneke since 1998 when he took over the running of his family’s farm.  The farm was originally farmed conventionally but since taking over Johan went over to biodynamics.  Having seen the evolution from one system to the other he is particularly well placed to explain the changes that result.

Biodynamics is an approach originally proposed by Austrian Philosopher Rudolph Steiner way back in the 1920’s.  The shorthand way to think of it is like organic agriculture taken one stage further, so the vineyard is treated as an organism whose health the farmer carefully protects.  This means that no agrochemicals are used and there is a big focus on biodiversity and vine health.

The difference I found in Johan’s explanation of Biodynamics was that he took sometimes new age sounding principles, and tied them back to practical, rational explanations.  Here are a few of them:

  • Johan maintained that the humus (organic matter) content of soil has a big impact on vine health and also on soil acidity.  Johan explained that scientific studies have shown that at 5% soil humus the vines are 3 to 4 times more disease resistant than at the 1% you would see in a non-organic vineyard.  When Johan took over the farm the level was around 0.9%, it is now 4.9% and the vines are far less prone to disease.
  • Johan felt that a side benefit of the higher level of soil humous is that the soil acidity has decreased.  At the same time as this the acidity of the grapes and correspondingly the wines has increased.  So much so that now no tartaric acid is added during winemaking.  This is pretty rare in the wine world but the result certainly seems to be wines that are really well integrated.
  • All of the wines are made with wild yeast fermentations.  This is a technique that allows fermentation to start naturally from yeasts that are present in the vineyard and winery.  The alternative is to add cultured yeast, something winemakers do to reduce the risk of a fermentation “sticking” which is when fermentation stops unexpectedly.  Johan claims he has never had a fermentation stick and attributes this to healthy populations of yeasts that are not routinely killed off by fungicides and other agrochemicals.
  • One of the principles of biodynamics is the use of cow’s horn manure and other biological preparations.   For the horn manure, dung from a lactating cow is buried in a cow’s horn in the vineyard in Autumn.  The following Spring the horn is dug up, the manure mixed with water and stirred with a carefully defined vortex motion and the resulting mixture spread at dusk onto the vineyard in very dilute quantities.  Johan describes the reason for this, initially crazy sounding process, in terms of the microbial health of the vineyard.  He claims that scientific testing has shown the dung to be incredibly rich in microbial life.  The vortex stirring introduces oxygen to the mixture and spreading it around the vineyard means more microbes in the soil.  The evening timing he suggests is simply to avoid heat from the sun that could kill the microbes before they can find their way into the soil.
  • Another crazy sounding idea is that the wine should be racked (moved from one barrel to another) on dates dictated by the phase of the moon.  Initially this sounds far fetched, but Johan’s explanation is that density of sediment within the barrels is affected by gravity and that this varies with the position of the moon.  On this point though I remain a little skeptical as the daily percentage variation in the Earth’s gravity field is small (less than 0.0001%) and it seems unlikely to make a significant difference, but at least there is something here that could be a rational explanation.
  • One comment I found particularly convincing was on the problem of Leaf Roll virus.  This a common viral disease of vines, spread in South Africa by the saliva of mealybugs.  Since moving over to biodynamics the virus has stopped spreading.  Johan said he did not understand why until he pulled up one of the now plentiful dandelion’s in the vineyard and found it’s roots infested with mealybug.  His suggestion is that the bugs simply prefer their natural habitat of dandelion to the vines.  In the past the dandelions would have been seen as weeds and dealt with accordingly.

The switch over to Biodynamics is a slow one though.  Johan felt it takes up to seven years for the full benefits to be seen, maybe even more.  After this time the wines show better concentration, more minerality and a more complex and variable spectrum of fruit flavours.

But what about the wine?  While Johan was speaking I had the opportunity to taste 6 of his wines.  They were all good, the whites exceptionally so.  The 2010 Reyneke Sauvignon was very bright and quite deep in colour, it had a lovely fresh acidity but with unusually complex fruit flavours for a Sauvignon.  The 2008 Chenin Blanc was concentrated, rich, ripe and wonderfully fresh and the 2009 Reyneke Reserve White was intense, powerful and long with great acidity and freshness of fruit.

The first red was the 2009 Cornerstone a blend of 50% Cabernet, 30% Shiraz and 20% Merlot, what stood out was the intensity and freshness of the fruit, while still being a very savoury wine that was complex and long to finish.  The second, the 2007 Reserve Red, was made from small parcels of vines among the vineyards.  It is developing nicely with heaps of concentration, and nice ripe tannin.  The Cornerstone is named after some of the original vineyard workers who are the cornerstone of the business and profits from it go to their housing and education of their children.  So there is a strong social element to the Reyneke philosophy alongside the biodynamics.

The link between all these wines was that they tasted of really healthy fruit and that they were pretty seamless, no out of place acidity or jarring notes.  Is that the result of biodynamics or is Johan just a very good farmer?  Perhaps in the end it’s the same thing.

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Pop Up Dinner

Last Sat 17th September I was lucky enough to help run a pop up dinner in Naomi Freers incredible studio in St Ives.  The food was a banquet of six delicious courses prepared and served by Lime Tree Events from Penzance run by Miki and Justin Ashton.  I could not believe the food they turned out from a tiny makeshift kitchen at the back.

I would like to say a huge thank you to all the guests who turned up, to Naomi for letting us use the space and of course to Caroline, Miki, Justin, Jenn, Jenna and who did the hard work on the night.

Here are some photo’s of the event, there are another two planned so get in touch if you would like to come to one.

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Wine Course

I’m in London at the moment studying wine.  At the age of 42 it is a huge luxury to spend a whole 4 days learning about something you are interested in.  OK, there was an exam on Monday morning but it is a classic case of no pain, no gain.  Without the exams I don’t think I’d commit half as much to memory.

What does the course cover?  How to make wine, that was Monday’s multiple choice, growing grapes, making wine, the technology of wine.  We’ve covered styles of sweet and fortified wines – see pictures of that tasting.  We are now looking at styles of table wine, so in a day we have learned about and tasted wines from Bordeaux, South West France and lastly the Loire.  A lot to cover in a day but we are expected to do 90% of the learning in our own time.

So what’s the benefit of the course?  For me the absolutely key benefit is to learn me what good “looks like” in wine.  The really key thing you learn is tasting technique and how to differentiate good from bad.

So what makes good?  Well some of the things on the shopping list are;

  • typicity, tasting of where the wine comes from and the grape it is made from
  • concentration, ie lots of flavour and depth of flavor
  • balance, having everything work well together with no element out of place
  • complexity and length give interest and stop the wine seeming dull or one dimensional

The one thing I would recommend, if you are at all interested in wine, is to take a course.  The entry level one is known as the intermediate level.  Any member of staff at Scarlet Wines who stays for more than a couple of months does this and it is fantastic.  It takes about five days and for most people is an incredible eye opener.  At present St Austell Brewery offer these courses two or three times a year but if there is a demand it might be something we will offer at Scarlet.

It’s different from school days though – learning can be fun, at least if you love the subject.

 

 

 

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Sulphite Free?

There are a lot of scare stories in the world of food and drink.  You don’t want gluten, cholesterol, free radicals, salt or sugar but you need to have Omega 3, antioxidants and whatever else is currently in vogue.  The same sorts of things crop up in wine.  Ideas like; organic, biodynamic, fair-trade and sulphite-free.

You can get organic wine but it’s rare.  The reason for this is that grapes are delicate souls  easily affected by mould, insects and a host of other pests.  They are also the livelihood of the wine-maker.  So if vile damp rainy weather arrives in the weeks before harvest the wine-maker has a choice – spray to prevent mildew or risk losing the harvest for the year.
The financial imperative to spray is strong.

In practice this means wines tend to be organic in some years but not in others.  Perhaps rightly the Soil Association wants the whole farm to be organic, all of the time.  This means that most wine growers at some point give up getting the certificate even if they do generally work organically.

The crazier end of the French wine world has taken organic a step further with biodynamic wine.  Like organic this eschews pesticides and fertilizers other than manure but is even more extreme in that vineyard work is timed by the phases of the moon.  Whether or not it makes your wine taste better isn’t clear.

The idea of Fairtrade food is rightly popular.  Who could argue against paying the poorest farmers in the world a fair price for their efforts?  The idea is tricky with wine though as the vast majority of wine is grown by people who are anything but poor.  South Africa is an exception but for most places the idea just doesn’t stack.

Lastly, sulphite-free wine.  If you look closely at your next bottle you are likely to see the words “contains sulphites” on it.  “Oh no” you think “something else I need to worry about”.  Well don’t.  Sulphites are simply compounds that contain the element sulphur.  This occurs naturally in grapes and wine-makers use sulphur dioxide as a simple and safe
way to clean their equipment.  Without it you’d have a bottle of vinegar.  A few people seem to have a reaction to them but unless you are one of those, relax.

So where does that all leave you?  Enjoying your wine I hope, without getting too hung up on all the terms.

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Are you local?

I hate it when people ask me if I’m local.  Because to me, it’s not where you are from but what you are like.  I’ve met great people from horrible places and the other way round too.

But, if you were a grape, where you come from matters rather a lot.  It matters in the way that really counts; in money.  Why?  Because wine, in Europe at least, is classified geographically.

So, in Italy there are just a few square miles of land from which you can make Barolo.  If you are the same grape from a mile down the road the wine you make is just Nebbiolo from somewhere else in Italy.  And I reckon Nebbiolo from somewhere is at least £10 a bottle cheaper than Barolo.

This happens in a lot of places.  Think of the really famous wines you know; Champagne, Chateauneuf, Chianti, Chablis, and that’s just the C’s.  All of these command a price premium because of their name.  The odd thing is that the name itself is no guarantee of quality.  So it is very possibly to get a better wine from just outside the designated area, made from the same grapes in the same way, sometimes by the same person that is far cheaper.

Now that, to me, sounds like an opportunity.  An opportunity to drink great wine for sensible prices, if you shop around for the “nearly ran” areas.

I’m thinking of some amazing parts of the South Rhone, the appellations of Lirac, Gigondas, and the Cotes du Rhone Villages like Plan de Dieu and Cairanne.  These places have the same climate as Chateauneuf, similar topography, soil and similar grapes.  So it is no surprise that you can buy wine every bit as spicy, robust and fantastic as Chateauneuf but for £10 or so less.

The same is true for the sparkling Cremant de Bourgogne wines of Burgundy, Nebbiolo from Langhe in North West Italy, and in a similar way for many of the wines from the “New World”.  I’ve drunk superb Cabernet Merlot from Australia at £10 made in a great, restrained and powerful style by a man trained at Chateau Margaux.  The origin of that style is classic Bordeaux, the most expensive area for wine in the world.

 So the moral of the story is shop around, explore the outer reaches of the shelves and ask your wine merchant for a recommendation.  The wines may not be from the right part of town but who cares if you are local.

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Summer Wines?

Is this the best time of year?  It must be pretty close, at least in terms of garden produce.  I seem to be eating nothing but salad from the garden at present; potatoes, courgettes, broad beans, lettuce, rocket, cucumber, carrots, tomatoes.  Add a little cheese and what more do you need?  Almost no need to go to the shops.

But what to drink with all this fresh produce?  Most reds are too heavy while the flavours of all these lovely summer vegetables are all pretty delicate.  Personally I’d go for some of these:

Picpoul de Pinet.  This is the name of both a grape and an appellation area in the South of France.  The wines are light, bright and have lots of citrus fruit flavours.  Most of the vineyards are close to the sea and this just makes me think of lazy Mediterranean afternoons.  They are good value too usually in the £7-9 bracket.

Erbaluce.  I appreciate this is seriously off the beaten track, it’s a white grape from North West Italy, but it is good to try something new now and again.  If you can track one down it will give you lovely floral and honey flavours with a nice Italian savoury grassiness that makes for a great food wine.  A little more pricey normally though, £10 to 12?

Grenache Rosé.  You find lots of these from Languedoc and they usually give really easy drinking fresh strawberry fruit flavours.  The good ones balance that with a nice stab of refreshing acidity.  Again they should be good value too at around £7-8 a bottle.

Valpolicella.  I know this is red but I love it.  Sadly though I think it still has a bad name for people over a certain age, remember all those Italian Restaurants?  But good ones are light bodied, nicely acidic to go with all those tomatoes and they should deliver a nice punch of fresh cherry fruit.  Perfect even if a lightly chilled.  You can find these for £6 upwards but it’s worth paying a little more, say £10, for which you will get much nicer fruit flavours.

Enjoy your salad!  Jon

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Blog about Blogs?

A couple of people have been kind enough to blog about Scarlet wines.  Have a look at these two links.  Many thanks for the kind words.

This one from the wonderful Ismay Atkins: pastiesandcream.com/2010/05/27/scarlet-wines-red-hot/

This one from the equally wonderful Paola Tich who I had the pleasure to meet while doing a wine course in Bermondsey:  www.sipswooshspit.com/2010/10/all-hayle-scarlet-wines/

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